I. 2000BC– 1620AD NATIVE AMERICAN LITERATURE (ORIGINS)
VOCABULARY:
MYTH-traditional story passed from generation to generation; explains why world is as it is; events usually
result from actions of supernatural beings
CREATION MYTH-explains how universe, earth, & life began; seen as essentially religious, presenting
cosmic views of culture; myths have four functions-
·
To instill sense of awe toward mystery of universe
·
To explain workings of natural world
·
To support & validate social customs
·
To guide people through trials of living
RITUAL-ceremonial act or series of such acts
PICTOGRAPH-pictures that represent objects & ideas
HISTORICAL BACKGROUND:
·
1st. Amer. Lit. was by Indians in over 500 languages
·
Culture dictated by natural surroundings with -
·
Complex religious views
·
Sophisticated political systems
·
Strong social values
·
All reflected in their lit.
·
Lit. was oral tradition – stories passed from generation to
generation
·
Types of oral lit. -
·
Creation myths
·
Tales of heroes & tricksters
·
Ritual songs & chants used in ceremonies
·
Religious beliefs -
·
Humans kin to animals, plants, land, heavenly bodies, elements
·
Humans do not have dominion over Nature but work with Nature to
keep things in order
·
Present day –
·
Lit. still preserves oral tradition but written in English
·
Writers attempt to harmonize old way of life with new way of life
of Indians
VOCABULARY:
TRICKSTER – person who deceives or cheats another
TRICKSTER TALES – folk tales that feature an animal or human character who engages in deceit, violence,
& magic; often mythic, explaining features of the world
FOLK TALES – stories handed down, usually by word of mouth, from generation to generation; myths –
religious stories offering supernatural explanations of the world – a special category of folk tale
IRONY – contrast between appearance & actuality; types:
(1) situational – contrast between what is expected to happen & what actually does happen; (2) dramatic –
readers know more about a situation or a character in a story than the characters do; (3) verbal – someone states one
thing & means another
CHARACTERIZATION – techniques writer uses to develop characters; 4 basic methods: (1) writer uses physical description; (2) character’s own actions, words, thoughts & feelings presented;
(3) actions, words, thoughts, & feelings of other characters toward characters; (4) narrator’s own direct comments
VOCABULARY:
1400 – 1620 EARLY ENCOUNTERS
HISTORICAL NARRATIVES – accounts of real-life historical experiences, given either by person who experienced
those events or by someone who has studied or observed them; earliest were picture symbols of Native Americans (in form of
pictographs, animal skin drawings, Mayan glyphs, & wampum belts); 2 basic forms – (1) primary sources – historical
narratives take form of documents, such as letters, diaries, journals, & autobiographies, that present direct, firsthand
knowledge of subject; (2) secondary sources – narratives provide indirect, secondhand knowledge, such as histories &
biographies;
SLAVE NARRATIVES – American literary genre that portrays daily life of slaves as written by slaves
themselves after having gained their freedom; some 6,000 slave narratives known to exist; most influential example –
autobiography of Frederick Douglass, Narrative of the Life of Frederick Douglass, an American Slave (1845)
ORAL NARRATIVES – earliest were from Native Americans
TALL TALES – feature exaggerated characters, called folk heroes, in wild, often humorous adventures;
many of more famous tall tales grew from oral tales passed around on frontier beginning in 1820’s; one of most well-known
folk heroes is giant Paul Bunyan
BALLADS – both folk & literary, narrative poems or songs that tell stories; former are usually
anonymous & feature legends, such as “John Henry” & “Casey Jones”; most famous literary ballad
is Longfellow;s poem about Paul Revere
SPIRITUALS – religious songs grew primarily from African-American
oral tradition
“from Of Plymouth Plantation” by William Bradford
Historical narrative – primary source
VOCABULARY:
CONFLICT – struggle between 2 opposing forces; internal – man vs. self; external – man
vs. man; man vs. nature; man vs. society
“from Women and Children First: The Mayflower Pilgrims”
by Alicia Crane Williams
Historical narrative – secondary source
“from The Interesting Narrative of the Life of Olaudah Equiano” by Olaudah Equiano
Slave narrative
VOCABULARY:
SENSORY DETAILS – details that appeal to the five senses
DESCRIPTIVE DETAILS – details in pieces of writing that help readers to imagine and understand characters’
experiences
IMAGERY – descriptive words and phrases that a writer uses to
re-create sensory experiences
“My Sojourn in the Lands of My Ancestors” by Maya Angelou
VOCABULARY:
AUTOBIOGRAPHY – story of a person’s life, written by that person
FLASHBACK – scene that interrupts the action of a narrative to describe events that tool place at
an earlier time; it provides background helpful in understanding a character’s present situation
METAPHOR – figure of speech that compares two things that have something in common; unlike similes,
metaphors do not use the word like or as, but make comparisons directly
II. 1620 –
1800 FROM COLONY TO COUNTRY
Part 1: Between Heaven and Hell
Historical Background:
Puritan Tradition
1.
Valued hard work and self-sacrifice
2.
Honored material success – believed wealth was reward of virtuous
life
3.
Valued family life, community service, art and literature
4.
Arrogant in their religious faith and completely intolerant of viewpoints
different from their own
Puritan Beliefs
1.
Human beings are inherently evil and so must struggle to overcome
their sinful nature – “original sin”
2.
Personal salvation depends solely on grace of God, not on individual
effort – believed in predestination – only those people who are “elected” by God are saved and go
to heaven; only way to know if person was saved was by directly experiencing God’s grace in religious conversion
3.
Bible is supreme authority on earth – not separation of church
and state
Puritan Literature
1.
Poet Anne Bradstreet gives a sense of what ordinary Puritan lives
were like; expresses view of a heaven ruled by a just God – a goal to which Puritans aspired – idea of grace
2.
Harshness of the judges’ voices at the Salem witch trials, an example of the darker side of Puritanism
3.
Passionate minister Jonathan Edwards, threatening his congregation
with the torments of hell in his famous sermon “Sinners in the Hands of an Angry God”
Great Awakening
1.
100 years after Puritans came to colonial America for religious freedom
2.
some Puritans felt congregations had gotten too complacent, or self-satisfied
3.
ministers, such as Jonathan Edwards, led the Great Awakening, a
religious revival that swept through New England from 1735 to 1750
Puritan Writers & Writings
Anne Bradstreet
1.
first notable American woman poet
2.
first notable American poet
VOCABULARY:
METER – repetition of regular rhythmic unit in line of
poetry; each unit, known as food, has 1 stressed syllable and either 1 or 2 unstressed syllables
4 basic types: iamb, trochee, anapest, dactyl
2 words used to describe meter of a line: first word identifies the type
of metrical foot; second word indicates the number of feet in a line
RHYME – Similarity of sound between two words; for true rhyme, consonants that precede vowels must
be different; rhyme scheme – pattern of end rhyme in poem is charted by assigning a letter to each line; lines that
rhyme are given same letter
types of rhyme schemes: internal rhyme (rhyme occurs within a single line); end rhyme (rhyme comes at end of a line);
slant rhyme (rhymes are not exact but only approximate – also called off rhymes)
ARCHAIC LANGUAGE – words that were once commonly used
in past but are now considered old-fashioned or out-of-date
INVERTED SYNTAX - reverses
the expected order of words
Salem Witchcraft Trials
“The Examination of Sarah Good” Salem Court
Documents, 1692
VOCABULARY:
TRANSCRIPT – written record of information communicated
orally, such as speech, interview, or legal testimony
BIAS – prejudice or mental leaning toward or against
some topic, issue, or person
LOADED LANGUAGE – words with strong emotional associations
LOADED QUESTIONS – questions
that make unwarranted presumptions or that force a certain answer
Sermon
“from Sinners in the Hands of an Angry God” by Jonathan Edwards
VOCABULARY:
PERSUASIVE WRITING – intended to convince reader to adopt a particular opinion or to perform a certain
action; uses logical appeals and emotional appeals; often uses repetition
REPETITION – recurrence of words, phrases, or lines
LOGICAL APPEALS – appeal to the mind
EMOTIONAL APPEALS – appeal to the emotions
METAPHOR – comparing 2 unlike things without using word
like or as
SIMILE – comparing 2 unlike things using word like
or as
PERSONIFICATION – figure of speech in which an object,
animal, or idea is given human characteristics
ONOMATOPOEIA – process of creating or using words that
imitate sounds, for example – buzz, honk, peep; in literature, it goes beyond use of simple echoic words – writers
choose words whose sounds suggest their denotative and connotative meanings, for example – whisper, gargle, gnash
ALLUSION – indirect reference to person, place, event,
or literary work with which author believes reader will be familiar
Part 2: The Right to Be Free
Historical Background:
Sources of Strength needed for undertaking revolution:
Bible (used by ordinary people)
Writings of John Locke (used by learned people)
1. Idea of “natural rights” – life, liberty, right to own property
2. Reflected in Jefferson’s opening to Declaration of Independence
3. Echoed in wording of Constitution
4. Revolutionary writers, esp. Patrick Henry, Phillis Wheatley, Abigail Adams, Michel-Guillaume Jean
de Crevecoeur
Other important issues:
1. Slavery
Plantation economy of South dependent on slaves, considered property of owners
Powerful Southern landowners perhaps influenced halt of reform to prohibit slavery
2. Native Americans
Early government policy of US
government – to assimilate Native Americans
In 1830, policy changed with Indian Removal Act - to relocate
tribes to free up well-cultivated Indian farmland for what settlers
Demands for Equal Rights Continued to Present Day
1. Women’s rights
2. Chicanos’ rights – i.e. Rodolfo Gonzales in 1967 poem “I Am Joaquin”
Deism Beliefs:
- People arrive at truth by using reason rather than by relying on authority of past, on religion, or on non-rational mental processes like intuition
- God created universe but does not interfere in its workings
- World operates according to God’s rules, & through use of reason,
man can discover those rules
- People are basically good & perfectible
- Since God wants people to be happy, they worship God best by helping other
people
- Human history is marked by progress toward more perfect
existence
Persuasive Rhetoric:
RHETORIC – art of communicating ideas
PERSUASIVE RHETORIC – reasoned arguments in favor of courses of action
ARGUMENT – to be effectively persuasive, work has to engage both mind & emotions
LOGICAL APPEALS – based on sets of assumptions; provide rational arguments to support claims
DEDUCTIVE REASONING – begin with GENERALIZATION, or premise, & to proceed to examples & facts
that support it (i.e. Declaration of Independence)
INDUCTIVE REASONING – begin with examples & facts & proceed to draw conclusion
EMOTIONAL APPEALS – often based on specific examples of suffering or potential threats; also includes
LOADED LANGUAGE – language that is rich in connotations & vivid images
ETHICAL APPEALS – based on shared moral values; call forth audience’s sense of right, justice,
& virtue
Styles of Persuasion:
ELEVATED LANGUAGE – formal words & phrases lend serious tone
RHETORICAL QUESTIONS – questions that do not require answer; posed to show that arguments make answers
obvious
REPETITION – repeating point says it is especially important; repeating form of expression says ideas
expressed in same way are related; PARALLELISM – form of repetition; used in Declaration of Independence
RHETORICAL TECHNIQUES – can be used to create oral or written pieces that are artificial or insincere;
can be used to make valid arguments & achieve positive ends
Patrick Henry
“Speech in the Virginia Convention”
VOCABULARY:
ALLUSION – indirect reference to person, place, event, or literary work with which author believes
reader will be familiar
RHETORICAL QUESTION – question to which no answer is expected because answer is obvious; often used
to emphasize point or create emotional effect
REPETITION – repeating words, phrases, & sentence patterns
Thomas Paine
Common Sense
- published in January, 1776
- most important written work in support of American independence
- 47 page pamphlet denouncing King George II & asserting that continent
should not remain tied to island
- sold
half million copies (roughly two and quarter million people)
Thomas Jefferson
Declaration of Independence
VOCABULARY:
PARALLELISM – writer uses similar grammatical forms or sentence patterns to express ideas of equal
importance
PARAPHRASE – restates someone else’s ideas in simpler words
REPETITION – repeating words
Age of Enlightenment
- 18th. century
- also known as Age of Reason
- time of optimism, discovery, questioning
- rely on reason to analyze both natural world & human society
- began to question social values & structures
- climaxed with Declaration of Independence
Colonial Letters:
Phillis Wheatley & Abigail Adams
VOCABULARY:
LITERARY LETTER – personal letter that has been published because well-known figure wrote it and/or
it gives information about period in which it was written
FIGURATIVE LANGUAGE – language that communicates ideas beyond literal meaning of words
ALLUSION – indirect reference to person, place, event, or literary work with which author believes
reader will be familiar
METAPHOR – makes comparison directly
SIMILE – states comparison using like or as
Benjamin Franklin
“Poor Richard’s Almanack”
VOCABULARY:
PROVERBS – short
pithy saying in frequent and widespread use that expresses a basic truth or practical precept
Modern Day Influence:
Rodolfo Gonzales
I Am Joaquin/ Yo Soy Joaquin
VOCABULARY:
EPIC – long narrative poem
on serious subject presented in elevated or formal style
III. 1800
– 1855 THE SPIRIT OF INDIVIDUALISM
Part I.
Romanticism and Transcendentalism
Historical Background
Reaction to Age of Reason & Puritanism
Saw limitations of reason
Celebrated individual spirit, emotions, & imagination
Inspired by Nature
Transcendentalism
1st. distinctive American lit. came from transcendentalists
Derived in part from German romanticism
Based on belief that “transcendent forms” of truth exist beyond reason & experience
Emerson added that every individual is capable of discovering this higher truth on his own through intuition
Thoreau turned his back on material rewards, devoted his life to study of nature & his own individual
spirit
Walden – account of his (Thoreau) 2 years of living alone in one-room shack
Washington Irving
1st. American writer to achieve international fame
Irving known for his humorous essays & stories
“The Devil and Tom Walker”
short story, comic retelling of Faust Legend
VOCABULARY:
FAUST LEGEND – Germanic legend of Johann Faust, 16th. c. magician & alchemist who was
said to have sold his soul to devil in exchange for worldly power & wealth
IMAGERY – words & phrases that appeal to 5 senses
SYMBOLISM – use of symbols, something that represents or suggests something else
OMNISCIENT NARRATOR – stands outside action of story & reports what different characters are thinking
Form in Poetry
VOCABULARY:
CONVENTIONAL FORM – FOLLOW CERTAIN FIXED RULES
SONNET, BALLAD, EPIC, ELEGY, ODE, VILLANELLE, BLANK VERSE
ORGANIC FORM (IRREGULAR FORM) – TAKES ITS SHAPE & PATTERN FROM CONTENT OF POEM ITSELF
Walt Whitman
1st. book of poems Leaves of Grass, revolutionary in content & form – today considered by many
to be greatest, most influential book of poetry in American lit.
Images encompass all of American life
Lines are long & rambling
Language reflects vigor & tang of American speech
Most poems marked by optimism, vitality, love of nature, free expression, democracy
Brought free verse to America
Uses poetic devices to create rhythm: catalog, repetition, parallelism
“I Hear America Singing”
“I Sit and Look Out”
“from Song of Myself”
VOCABULARY:
FREE VERSE – poetry without regular patterns or rhyme & meter
CATALOG – frequent lists of people, things, & attributes
REPETITION – words or phrases repeated at beginning of 2 or more lines
PARALLELISM – related ideas phrased in similar ways
E.E. Cummings
Trademark – experimentation with grammar, punctuation, other language conventions
Created striking effects by violating rules of punctuation, spelling, grammar, & capitalization
Pioneering experiments with language continue to have significant influence on poetry today
“anyone lived in a pretty how town”
VOCABULARY:
EXPERIMENTAL POETRY – poetry in which poet explores unusual subject, invents new forms, orders words
in unexpected ways, creates striking effects through language
Ralph Waldo Emerson
“from Self-Reliance”
VOCABULARY:
APHORISM – brief statement, usually one sentence long, that expresses a general principle or truth
about life
TRANSCENDENTALISM –
Henry David Thoreau
“from Civil Disobedience”
Expresses transcendental belief that all people must live as individuals, not as mindless parts of society
that may or may not be just
VOCABULARY:
ESSAY – short work of nonfiction that deals with a single subject, usually presenting personal views
of writer
“from Walden”
One of best known examples of nature writing
VOCABULARY:
NATURE WRITING – type of essay in which writer uses firsthand observations to explore his or her relationship
with natural world
FIGURATIVE LANGUAGE – METAPHOR, SIMILE, PERSONIFICATION
Part II. American Gothic
Historical Background
Forces that gave rise to Gothic literature:
·
Gothic architecture of Middle Ages with Gargoyles (carvings of small
deformed creatures sitting at corners of Gothic cathedrals) supposedly kept evil spirits away – gargoyle – mascot
of Gothic
·
Romantic movement b/c freed imagination:
Romantic writers saw individual with hope; Gothic writers saw potential evil in person
Romantic writers praised beauties of nature; Gothic writers looked into dark supernatural
VOCABULARY:
GOTHICISM: characterized by horror, violence, supernatural
effects, and medieval elements, usually set against background of gothic architecture, especially gloomy and isolated castle
- other common gothic trappings include insanity (often in the form of a mad relative kept locked in a room in the castle),
ghosts and spirits, and dramatic thunder-and-lightning storms
Edgar Allan Poe
·
Master of Gothic writing in U.S.
·
Characteristics of his writings:
Dark medieval castles or decaying ancient estates = setting for terrifying events
Many male narrators = insane
Many female characters = beautiful, dead, or dying
Plots = murders, live burials, physical & mental torture, retribution from beyond grave
Explored human mind & its functions or dysfunctions
·
Founded short story with idea of single effect
·
Originated detective story
·
Best known as literary critic during his lifetime
Nathaniel Hawthorne
Gothic characteristics of his writings:
Examined human heart under conditions of fear, greed, vanity, mistrust, betrayal
Southern Gothic – 20th. century
Faulkner –
·
Replaced crumbling medieval castles of 19th. century
with decaying plantation with fallen aristocratic families
·
Replaces ghostly figures stalking noble heroines with ghost of past
hounding not-so-noble characters to madness & death
O’Connor –
·
Old moral & religious order was crumbling
·
Criminals, con men, fools – not ghosts & goblins –
were unleashed upon world
“The Masque of the Red Death” - Poe
VOCABULARY:
GOTHIC: characterized by grotesque characters, bizarre situations,
violent events
EPIDEMIC: deadly disease that seems to be incurable
ALLEGORY: work with two layers of meaning
IRONY: contrast between appearance & actuality
SETTING: time & place
“The Raven” - Poe
VOCABULARY:
SOUND DEVICES:
RHYME: repetition of similar sounds
END RHYME: similar or identical sounds at ends of lines
INTERNAL RHYME: rhymes within a line
RHYME SCHEME: basic pattern of end rhymes
ALLITERATION: repetition of consonant sounds at beginnings of words
ASSONANCE: repetition of vowel sounds within words
CONSONANCE: repetition of consonant sounds within & at ends of words
ONOMATOPOEIA: process of creating or using words that imitate sounds; poets choose words whose sounds suggest their denotative & connotative meanings
ALLUSION: indirect reference to person, place, event, or literary work with which author believes reader
will be familiar
“A Rose for Emily” – Faulkner
VOCABULARY:
CHARACTERIZATION: development of characters using 4 methods: (1)
character’s physical description; (2) character’s actions, words, & feelings; (3) narrator’s direct
comments about character’s nature; (4) other characters’ actions, words, & feelings
FORESHADOWING: writer’s use of hints or clues that prepare readers for events that occur later in
story
INFERENCE: reasoning involved in drawing conclusions on basis of circumstantial evidence & prior conclusions
rather than on direct observation
IV. 1850-1900 CONFLICT AND EXPANSION
Part I. A House Divided
A. Historical Background
Slavery & Civil War March, 1861
– April, 1865
- Before war, slavery was major subject for writers
- This crucial period saw some of first important
literature by African Americans
- Frances Ellen Watkins Harper – first popular African-American poet
- Frederick Douglass, escaped slave; champion
of abolitionist cause & woman suffrage
Autobiography – one of most authentic accounts of history of slavery
- Other war writers/literature
a. Walt Whitman – nurse during war
Famous elegies for Abraham Lincoln: “When Lilacs Last in the Dooryard Bloom’d” &
“O Captain! My Captain!”
b. Ambrose Bierce – foot soldier
“An Occurrence at Owl Creek
Bridge”
- Stephen Crane
“A Mystery of Heroism” – explores internal & external forces that affect soldier
The Red Badge of Courage – psychological exploration of war effects
B. Writers/Writings
- “from Narrative of the Life of Frederick Douglass”
One of most famous slave narratives ever
VOCABULARY:
AUTOBIOGRAPHY – STORY OF PERSON’S LIFE WRITTEN BY PERSON
HIMSELF
STYLE – NOT WHAT IS SAID BUT HOW IT IS SAID: FORMAL OR CONVERSATIONAL; CONCISE OR ELABORATE; OBJECTIVE
OF SUBJECTIVE - STYLE
INCLUDES WORD CHOICE, SENTENCE LENGTH, TONE, FIGURATIVE LANGUAGE, USE OF DIALOGUE
- “Stanzas on Freedom – James Russell Lowell
and “Free Labor – Frances Ellen Watkins Harper
VOCABULARY:
PROTEST POETRY –
SYMBOL – PERSON, PLACE, OBJECT, ACTIVITY THAT HAS CONCRETE MEANING BUT ALSO STANDS FOR SOMETHING BEYOND
ITSELF
- “An Occurrence at Owl Creek Bridge”
– Ambrose Bierce
Thoughts of man facing death
VOCABULARY:
POINT OF VIEW – NARRATIVE PERSPECTIVE FROM WHICH IT IS TOLD
1st. person: narrator is character in work who describes events using pronouns I, Me, My
3rd. person
– narrator is outside the action who uses pronouns such as he, she, they
Omniscient – aware of all characters’ thoughts
Limited – focused on one character’s thoughts
STRUCTURE – ARRANGEMENT OF ITS PARTS
ALLITERATION – repetition
of consonant sounds at beginnings of words
FORESHADOWING – writer’s use of hints or
clues to indicate events that will occur in story; creates suspense & prepares reader for what is to come
- “A Mystery of Heroism” – Stephen Crane
Uses dialect
Represents literary movement known as naturalism, offshoot of realism
Realistic writers – portrayed common people & ordinary life accurately
Naturalists – like realists, but also described effect of natural & social forces – such
as instinct & environment – on individual
VOCABULARY:
THEME – central
idea or ideas writer intends to share with reader
IRONY – contrast
between what is expected & what actually exists or happens
- “The Gettysburg
Address” – Abraham Lincoln
Uses repetition
Uses parallelism
- “from Coming of Age in Mississippi” – Anne Moody
Eyewitness account from 1963 sit-ins
Uses chronological order, or time order
- “Ballad of Birmingham”
– Dudley Randall
Based on Birmingham
church bombing in 1963
VOCABULARY:
BALLAD – narrative poem that was originally meant to be sung
NARRATIVE POEM – poem that tells story
Part II. Tricksters and Trailblazers
A. Historical
Background
- 1841 – first caravan of covered wagons brought pioneers across Great
Plains going to California & Oregon
- 2 years later – 1,000+ people had made journey
- 1849 – California
gold rush
- 30 years later – gold & silver discovered in every Western state
& territory
- 1860’s – people began to settle plains
- Homestead Act of 1862 – granted free land & 1,000’s moved
west
- Native American way of life doomed
- Tribes forced (by armed conflict or signed
treaties) to give land to U>S> government
B. Writings/Writers
- Native American trickster tradition
- Humorous tricksters in Twain’s “The notorious Jumping Frog of
Calaveras County
- Willa Cather – serious look at hardship
* longing in “A Wagner Matinee”
C. Regionalism
- New regional diversity in mining camps, cattle ranches, farming communities,
& frontier towns in West
- Regional literature called local color realism
developed
D. Local Color or Regional Literature
- Focuses on the characters, dialect, customs,
topography, and other features particular to a specific region
- This mode of writing became dominant in American literature between Civil
War & end of nineteenth century
- Attempts to portray accurate dialect patterns,
speech, mannerisms, thought, & topography of a specific region
- Local Color Movement began in 1880s in America
- Used short stories as its principal medium
- Emphasizes its setting, being most concerned with the character of a district or of an era, as marked
by its customs, dialect, costumes, landscape, or other peculiarities that have escaped standardizing cultural influences
- Bret Harte - first local color writer
- Some Local color writers & their respective
regions:
Sarah Orne Jewett - New
England
Bret Harte & Mark Twain -
the West
Joel Chandler Harris - the South
E. Mark
Twain
1. “from Autobiography of Mark Twain”
VOCABULARY:
MESMERIZER – HYPNOTIST
IRONY – CONTRAST BETWEEN APPEARANCE & ACTUALITY
PREDICTING – PROCESS OF USING TEXT CLUES TO MAKE REASONABLE GUESS ABOUT WHAT WILL HAPPEN IN STORY
LOCAL COLOR REALISM – STYLE OF WRITING THAT TRUTHFULLY IMITATES ORDINARY LIFE & BRINGS PARTICULAR
REGION ALIVE BY PORTRAYING DIALECTS, DRESS, MANNERISMS, CUSTOMS, & CHARACTER TYPES
2.
“from Life on the Mississippi”
VOCABULARY:
DESCRIPTION – WRITING THAT HELPS READER PICTURE SCENES, EVENT, PEOPLE BY USE OF DESCRIPTIVE DETAILS
VISUALIZING –PROCESS OF FORMING MENTAL PICTURES BASED ON THEIR WRITTEN DESCRIPTIONS
3.
“Epigrams”
VOCABULARY:
EPIGRAM – BRIEF, CLEVER, USUALLY MEMORABLE STATEMENT
4. “The
Notorious Jumping Frog of Calaveras County”
VOCABULARY:
TALL TALE – DISTINCTIVELY AMERICAN FORM OF HUMOROUS
STORY THAT FEATURES EXAGGERATION
EXAGGERATION – INVOLVES STRETCHING TRUTH TO UNREALISTIC
EXTENT
DIALECT – DISTINCT FORM OF LANGUAGE AS SPONKEN IN ONE GEOGRAPHICAL AREA OR BY PARTICULAR SOCIAL OR
ETHNIC GROUP; REFLECTED IN CHARACTERISTIC PRONUNCIATIONS, VOCABULARY, IDIOMS, & GRAMMATICAL CONSTRUCTIONS; ONE WAY TO
UNDERSTAND UNFAMILIAR DIALECT IS TO USE CONTEXT CLUES
5.
“The First Jumping Frog”
Article appearing in Sonora, California, Herald on June 11, 1853 – 14 years before Twain wrote
his short story; inspiration for “The Notorious Jumping Frog of Calaveras County”
6.
Key Aspects of Twain’s Style
· Comic exaggeration
·
Humorous & entertaining subject matter
·
Rambling & indirect narratives, often involving use of more
words than necessary to express idea
·
Offbeat similes, metaphors, & irony
·
Use of analogies to deepen meaning & understanding
·
Use of dialect & idioms – vocabulary of ordinary person
V.
1855-1925 THE CHANGING FACE OF AMERICA
Part I. Women’s Voices, Women’s Lives
A. Historical
Background
1. Woman’s suffrage movement grew with spread of university
education among women
2. 1890’s – emergence of poetry of Emily Dickinson – first major American female poet
3. Charlotte Perkins Gilman – one of most noted advocates for women
4. Kate Chopin – 1899 – The Awakening – portrayal of woman’s hidden passion
led to public protest
5. 1920 – 19th. Amendment to Constitution gave women right to vote but women did not
vote for reforms for women
6. 1960’s – eruption of feminist movement – women again inspired to examine quality
of their lives led to rediscover female writers
B.
Writers
1. Emily Dickinson
·
Referred to as “Belle of Amherst”
·
By 1870 dressed only in white
·
Sick in 1884 of Bright’s disease, gradual failure of kidneys
·
Died in 1886 at age of 55 – had lived as recluse for quarter
of century
·
Wrote 1775 poems, only seven published anonymously while she was
alive
·
One of originators of modern American poetry
Her Poetry
- Inventive treatment of rhyme, punctuation, capitalization, & sentence
structure
- Poems short, usually no longer than 20 lines
- Most in quatrains (four-line stanzas)
- Slant rhymes – words that do not rhyme exactly
- Used dashes to highlight important words & help break up singsong rhythm
of poems
- Used fresh & original figurative language: simile, metaphor, personification
- Omission of conjunctions, pronouns, prepositions, or article to increase effect
of compression
- Used inverted syntax to emphasize words
2. Charlotte Perkins Gilman
·
“The Yellow Wallpaper” – written 1890 when many
women suffered physical & mental disorders, such as fatigue & depression – believed b/c of their gender that
women were weak & emotionally unstable
·
First person narrator begins to see images in wallpaper as she descends
into madness
·
Author herself experienced severe postpartum depression & at
age of 72 diagnosed with incurable cancer & finally committed suicide
3. Kate Chopin
·
“The Story of an Hour” – reveals young woman’s
innermost thoughts about life & marriage
·
Emphasizes conflict, irony, & surprise ending
·
Author’s local color stories won acclaim but stories about
women seeking to be free aroused protest, especially The Awakening (1899) for its depiction of woman’s adulterous
affair
4. Tillie Olsen
·
“I Stand Here Ironing” – example of interior monologue
·
During Great Depression of 1930’s & WWII & aftermath
in 1940’s
·
Government built daycare centers to care for children while mothers
worked
·
War brought shortages of meat, sugar, & other important goods,
i.e. gas
Part II. American Dream: Illusion or Reality?
A. Historical
Background
1. Giant entrepreneurs – Carnegie, Morgan, Rockefeller, Vanderbilt – got very rich by using
cheap labor in cities & building giant companies that controlled whole industries
2. Immigrants from Europe & people from rural areas in search of
work rushed to cities in large masses
3. American ideal – belief that in America one
could work hard & gain much b/c America
was not based on social priviledge
B.
Writers saw hidden flaws in optimistic simplicity
1. Theodore Dreiser – Sister Carrie – heroine crushed by forces she cannot control
2. Upton Sinclair – The Jungle – showed horrible working conditions of immigrants
in Chicago stockyards
3. Carl Sandburg – wrote about seamy side of urban industrialization: poverty, crime, corruption
but also wrote about courage & resilience of everyday men & women in face of these problems
4. Edgar Lee Masters & Edwin Arlington Robinson – looked at discontent in small-town life
5. Paul Laurence Dunbar – 1st. African American to earn his living by writing - showed truth behind popular racial stereotypes
6. F. Scott Fitzgerald – showed tension between very wealthy & those attracted to them –
showed insights into American preoccupation with money
7. Anzia Yezierska – “America
and I” - showed what life was like for immigrants in sweatshops of NYC’s
garment district
C.
Across Time
1. After passage of restrictive quota laws & Great Depression, America remained “land of opportunity”
2. In 1960’s, nationality quotas ended & immigration began again but mainly from Asia &
West Indies, not Europe
3. Immigrants came for better way of life and for escape from political persecution
4. Modern writers – Gish Jen, Naomi Shihab Nye, Yvonne
Sapia, Lorna Dee Cervantes look at new immigration experience (Jen & Nye with humor) (Sapia & Cervantes about generational
differences in immigrant families)
UNIT VI: MODERN AGE
(1910-1940)
I.
PART I: Harlem Renaissance
· Unprecedented period
of literary, musical, & artistic production among African Americans that reached its peak in the 1920’s
· During the “Red
Summer” of 1919, there were bloody antiblack riots in 26 cities
· In 1920’s,
membership in white-supremacist Ku Klux Klan rose to more than 4 million nationwide.
·
Harlem drew whites and blacks to clubs such as Cotton Club to hear jazz musicians
such as Louis Armstrong and Duke Ellington.
· It was the time
of the “New Negro”.
· Langston Hughes
was one of most important and most original.
· Zora Neale Hurston’s
writings show a love of black language and manners.
· Other Renaissance
writers: James Weldon Johnson, Claude McKay, Countee Cullen, Arna Bontemps, Jean
Toomer
· The Great Depression
of the 1920’s brought an end to the Harlem Renaissance.
II.
PART II: Modernism (Alienation of the Individual)
· WWI remade the map
of Europe
· When the war ended
in 1918, nearly 10 million soldiers and almost as many civilians had been killed.
· Uncertainty about
what was to come became a distinguishing characteristic of the age.
· During the Roaring
Twenties people had more money and more things to buy.
· Availability of
cars gave people more mobility and freedom
· More people went
to nightclubs and speakeasies where alcohol was plentiful
· Movies became popular.
· Political corruption
was rampant; gangsters flourished with profits from sale of illegal alcohol
· Literary movement
known as modernism was a direct response to these social and cultural changes.
· Writers felt that
individuals, esp. artists, were becoming increasingly threatened by and isolated amid mass society
· Characters in modernist
works are almost always alienated – withdrawn, unresponsive, hurt by unnamed forces.
· Modernist writers
also used experimentation.
· Katherine Anne Porter
used stream-of-consciousness as a fictional technique to dramatize the interior life of her characters
· Modernist writers
use no narrative voice to guide the reader with explanations or details
· The reader is left
alone to figure out what is going on in a story or a poem and what a character or speaker is feeling or thinking.
· Modernism dominated
the arts and literature throughout the 20th century.
· Generations that
came of age around WWII faced alienation similar to that experienced by the early modernists.
· “The Jilting
of Granny Weatherall” by Porter shows stream-of-consciousness.